Nocturne was presented at ZeroOne San Jose: A Global Festival of Art on the Edge & the Thirteenth International Symposium of Electronic Art (ISEA2006), August 7-13. It was separated from other works in the show with chain link fencing. This created a provocative boundary for the installation, recalling the maintenance yard where the kit foxes that I filmed live. Within this fenced installation, I projected a daytime slide of the maintenance yard fence. Projected onto this slide image, in turn, was the night-vision video of the foxes, creating an envelope of night and day in which the viewerıs shadow interrupted day but not the moving projection of the foxes. The mice were presented on nine mice-sized screens on the floor; the mice scurried back and forth between the screens. Viewers peered through the same type of heat pipe that the opossum video was taken in to view these creaturesı nocturnal stirrings. The video was triggered by the viewerıs presence. Employing the night vision and motion capture technology that Iıd used to take video of the animals, I tracked visitorsı positions in the installation space. The video of the foxes was also programmed to respond to viewers. When viewers entered the space, the foxes ran away. If the viewer stayed still, the foxes would come out and peek at them. Eventually, the animated foxes would seem to become more comfortable with the viewerıs presence, and the video would play through a range of behaviors: the mother fox going out to hunt and returning with food, the pups playing, and so forth.